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Taylor, Aaron

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Comment le droit d'auteur entrave à la créativité et à l'apprentissage, et comment les communautés canadiennes d'études sur les médias peuvent agir

Taylor, Aaron; Christensen, Alec; Selman, Brianne; Tepperman, Charles; Innerd, Charlotte; Baron, Jaimie; Blankenship, Janelle; Stidwill, Jenna; Langrell, Kate; Nair, Meera; Lyons, Owen; Graham, Rumi Y.; Rouleau, Thomas; Rioux, Valérie (Association canadienne d'études cinématographiquesArts and ScienceNew Media DepartmentLibraryUniversity of LethbridgeUniversity of British ColumbiaUniversity of WinnipegWilfrid Laurier UniversityUniversity of AlbertaWestern UniversityCarleton UniversityUniversity of SaskatchewanNAITRyerson UniversityUniversity of OttawaUniversity of Montréal, 2022)
How copyright impedes creativity and learning, and how Canadian Media Studies communities can take action

Taylor, Aaron; Christensen, Alec; Selman, Brianne; Tepperman, Charles; Innerd, Charlotte; Baron, Jaimie; Blankenship, Janelle; Stidwell, Jenna; Langrell, Kate; Nair, Meera; Lyons, Owen; Graham, Rumi Y.; Rouleau, Thomas; Rioux, Valérie (Film Studies Association of CanadaArts and ScienceNew Media DepartmentLibraryUniversity of LethbridgeUniversity of British ColumbiaUniversity of WinnipegWilfrid Laurier UniversityUniversity of AlbertaWestern UniversityCarleton UniversityUniversity of SaskatchewanNAITRyerson UniversityUniversity of OttawaUniversity of Montréal, 2022)
50 shades of access: equalizing student access to media for coursework

Graham, Rumi Y.; Taylor, Aaron (University of LethbridgeArts and ScienceFine ArtsLibraryDepartment of DramaUniversity of Lethbridge, 2021)

Contribution to a roundtable on Strategies and Struggles in On-line Teaching During the Pandemic held on June 1, 2021 as part of the Film Studies Association of Canada-Association Canadienne d’Études Cinématographiques ...
How to see things differently: Tim Burton's Reimaginings

Taylor, Aaron (Palgrave MacmillanArts and ScienceNew Media DepartmentUniversity of Lethbridge, 2013)
Twilight of the idols: performance, melodramatic villainy and Sunset Boulevard

Taylor, Aaron (University of Illinois PressArts and ScienceNew Media DepartmentUniversity of Lethbridge, 2007)

Abstract not available
Angels, stones, hunters: murder, celebrity and direct cinema

Taylor, Aaron (Taylor & FrancisArts and ScienceNew Media DepartmentUniversity of Lethbridge, 2011)

Direct cinema’s attempt to withhold itself from the world is ethically problematic. The helplessness of documentary subjects and audiences is underscored by this observational style. In Gimme Shelter – a concert film ...
Avengers dissemble! Transmedia superhero franchises and cultic management

Taylor, Aaron (IntellectArts and ScienceNew Media DepartmentUniversity of Lethbridge, 2014)

Through a case study of The Avengers (2012) and other recently adapted Marvel Entertainment properties, it will be demonstrated that the reimagined, rebooted and serialized intermedial text is fundamentally fan oriented: ...
Blind spots and mind games: performance, motivation, and emotion in the films of Stanley Kubrick

Taylor, Aaron (University of Texas PressArts and ScienceNew Media DepartmentUniversity of Lethbridge, 2016)

The acting style in Stanley Kubrick’s films can be regarded as a symptom of the “other minds problem” and its ramifications for the cinema. Performances in Kubrick’s work reveal the complications involved in positing ...
The continuing adventures of the "inherently unfilmable" book: Zack Synder's Watchmen

Taylor, Aaron (University of Texas PressArts and ScienceNew Media DepartmentUniversity of Lethbridge, 2017)

Abstract not available
A cannibal's sermon: Hannibal Lector, sympathetic villainy and moral revaluation

Taylor, Aaron (Nova Philosophy InstituteArts and ScienceDepartment of New MediaUniversity of Lethbridge, 2013)

Abstract not available

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Taylor, Aaron

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